lone goose press is pleased to announce the publication of the poetry collection Opening the Mouth of the Dead
by Catherine Woodard.
Available September 7, 2017 in two versions: trade paperback & letterpress limited-edition with artwork by Margot Voorhies Thompson.
The limited edition of 59 copies includes 20 poems selected from the 63 comprising the paperback edition to be released in September 2017. Bound in an accordion format, the book measures 11.74 inches in height and may be extended to 18 feet in length. The artwork is reproduced by an intaglio process using photopolymer photogravure plates. Each copy will be signed by author and artist, and housed in a clamshell box.
Praise for Opening the Mouth of the Dead
“In this beautiful, haunted book, the author’s granddaddy asks her as a child, “But what could I do?” The grown child says “He asks as if I referee.” The child that survives catastrophic family history inevitably feels that she is a referee. The combatants are gone and were, always, not only powerful but unreadable. This child’s mind, facing a harrowing present and harrowing past, turns to a paradigm that she was given in the third grade: the Egyptian Book of the Dead. The ancient paradigm gives dignity and density to the tragedy of her parents’ lives. Litany, the insistent search for truth amid bewildering fragments, is what the survivor can perform to release, if not to save, the past. This is a superb book.”
“Yes! This is news. In depth and energy, Catherine Woodard’s poetry penetrates the whole intense story. She has achieved a dazzling work.”
“Like a yearning, incantatory prayer, these extraordinary poems build to an exquisite and devastating story of loss. With a child’s precision of observation made especially poignant through her third grade reading of the Egyptian Book of the Dead, Woodard’s narrator renders a brilliant portrait of a troubled family — a poem cycle truly remarkable for its economy, surprising humor, and sharp truths.”
“In this deeply moving, beautifully conceived book, the spellbound world of Horus and Ra intermingles with Piggly Wiggly, Moon Pies, and Mrs. Long’s third-grade class where blue crepe paper rolls down the aisle and is a river named The Nile. It is here where the imaginative narrator, whose heart is a muddle, latches on to ancient charms and prayers that she believes will fix her troubled family, will keep them — and her — safe from hurt.
These are tender, sad, strong-minded poems of the eternal human desire to breathe life into the lost, to bring them back to us in love and forgiveness, and to learn how to balance the Feather of Truth on our aching hearts.”
“Catherine Woodard’s Opening the Mouth of the Dead casts a powerful spell and maps a royal road into several of poetry’s oldest themes– the persistence of sex, death, and family in our imaginations, and the need to speak from beyond the grave events of our lives. Here the heart testifies to its unadorned truths in every poem.”